|

April/May
2012
This month we
have a special bonus 11th review for you - partly because, due to
technical issues, we had to combine April and May's editions so we
thought you deserved it, and partly in honour of both the first ever National Flash Fiction Day (May 16th in the UK) and National Short Story Month in the US (Check out the blog posts on the Emerging Writers Network and the Short Story Collection Giveaway Project on the Fiction Writers Review).
Our own offerings include a novel-in-flash stories an anthology of "sudden" fiction to whet your appetite for National Flash Fiction Day, a
collection of linked stories in translation from German, short stories
inspired by modern science, some smoke, a little true surrealism,
a hint of cape cod noir, a tour around London's boroughs as if it was
just, yesterday,and some short dark oracles to offset the things we didn't see coming.
Congratulations! to Short Review author Kevin Barry,
winner of this year's Sunday Times EFG Private Bank short story award,
his new collection is forthcoming. Congratulations to the winners of
this year's Scott Prize,
Carys Bray and Rob Roensch, whose debut collections will be published
by Salt publishing. And congratulations to those on the Edge Hill Short Story Prize shortlist (announced today, May 9th!) and Frank O'Connor International Short Story Award
longlists - the two major European awards for short story collections
- including Short Review authors Nina Allan, Shannon Cain,
Stanley Donwood, Nathan Englander, Stuart Evers, Orfhlaith Foyle, Etgar
Keret, Erina Mettler, Courttia Newland, Nuala Ní Chonchúir, Edna O'Brien, Rob Shearman, our own Short Review editor Tania Hershman ... and many more!
|
|
|
New Sudden Fiction
edited by Robert Shapard and James Thomas
"This is the limit of my limits: here it is. You don’t ever know for
sure
where it is and then you bump against it and bam, you’re there. Because
I cannot bear to look down into the water and not be able to
find him at all, to search the tiny clear waves with a microscope lens
and to locate my lover, the one-celled wonder, bloated and
bordered, brainless, benign, heading clear and small like an
eye-floater into nothingness."
|
|
"I
loved this collection – it is probably the definitive gathering of
sudden stories, marrying big names with unknowns, to positive and
unusual effect..." Read the full
review
by James Murray-White
|
|
|
Litmus: Short Stories From Modern Science
edited by Ra Page
"Scientists are often taught to be and are often temperamentally
inclined to be
wary of metaphor; that way magic lies; or poetry. But the human
imagination can hardly be its own enemy. I immersed myself in poetry
from childhood and would quote it throughout my life when the
occasion arose."
|
|
"Rarely
has the broad narrative of scientific discovery been so closely
allied with the narrative of human history and belief as in this fine
collection of stories..." Read the full
review
by Sue Haigh
|
|
|
True Surrealism
by Christopher Klim
"At night I recall beautiful Nepal, just before the life I am living
today. It is so close to my current life that it sometimes overlaps
with recent memories. Nepal was similar to Tennessee with rolling
hills and green as far as the birds flew, but the Nepalese seemed
happier with their hills..."
|
|
"Klim’s
narrative voice is unique – haunting and deeply engaging. His
dialogue is both sharp and striking - a real treat for the
intelligent reader..."
Read the
full review
by Daniela Norris
|
|
|
Cape Cod Noir edited by David L Ulin
"I was
minding
my
own
business.
I
was
at
home
watching
television.
The
show
was
a
police
drama.
Everyone
told
me
it
was
fantastic.
I
didn’t
see
the
appeal.
The
older
detective
was
always
shouting
at
the
younger
detective…
The
female
detective
wore
her
uniform
comically
tight."
|
|
"Crime
writers are responsible for some of fiction’s best narrative
tricks, as a skim through this anthology will testify. From red
herrings to unreliable narrators and twists to give you whiplash,
it’s all here..." Read the
full review by Sarah Hilary
|
|
|
|
London 33: Boroughs Stories: Volume 1: East by Various Authors
"'Look around you, Miss,
at the grandeur and the decrepit, the new and the old living side by
side. ‘The stoic, the falling down and the newly born.' Ethna
leaned over the railings and wondered if he was talking about
buildings or people.'And listen out for the stories carried on the
wind by the ghosts that were here before us. Some of it’s ugly, I
grant you, but some of it takes your breath away'..."
|
|
"Lively
stories about ordinary Londoners in a city on the brink of hosting
the 2012 Olympic Games..." Read the
full review by Sheila Cornelius
|
|
|
Short Dark Oracles
by Sara Levine
"In
place of my feelings, substitute the emptiness of a rain barrel, its
wood drying out, its metal staves creaking, an arid silence after two
years of learning to hold the rain..."
|
|
"Short
Dark Oracles is a captivating and gripping
read that leaves the reader on the edge of all emotions not knowing
whether to laugh, cry or just be incredibly disturbed!"
Read the
full review by Emma Young
|
|
|
It Was Just, Yesterday by Mirja Unge
Translated by Kari Dickson
" Iron
Maiden screamed and my head thumped against the arm of the sofa,
thump thump against the arm, and I said nothing, I did nothing."
|
|
"An
interesting and evocative look at the psychological impact of
cultural issues facing teenage girls and young women today..."
Read the
full review by Kate Kerrow
|
|
|
Smoke and Other Early Stories by Djuna Barnes
"'Billy,' she said, and her voice was cold and practical, 'I couldn’t ever boil potatoes over the heat of your affection.'..."
|
|
"Smoke,
which collects some of Djuna Barnes’s early stories, revels in
quirkiness and subtle wordplay to reveal that the unexpected is all too
plausible..." Read the
full review
by Patrick Henry
|
|
|
From The Umberplatzen
by Susan Tepper
"You have no stars left, he said. When we met you were all stars. They have fizzled and fallen to earth, I said."
|
|
"A
different kind of love story, a different kind of novel..." Read the
full review by Alex Thornber
|
|
|
Alice by Judith Hermann
"But
in one of the jackets from the cellar she found something she was
utterly
unprepared for – even though she’d tried to be prepared for everything.
It was something small, it was almost as if Raymond had left it for her
– a crumpled paper bag from a bakery containing the remnant of a little
almond horn. The curved end of the little crescent, so old as to be
almost petrified. And like a shell in a fossil, a smooth almond silver
top..."
|
|
"Not quite a novel, retaining the brevity of conciseness
of a short story, yet following a single character, as one does in a
novel. Alice fulfils this aim perfectly in clear simply prose.
"
Read the
full review
by Arja Salafranca
|
|
Things We Didn't See Coming by Steven Amsterdam
"The
future is a hospital, packed with sick people, packed with hurt
people,people on stretchers in the halls, and suddenly the lights go
out, the water shuts off and you know in your heart that they’re never
coming
back on. That’s the future, my friend..."
|
|
"Amsterdam's bleak outlook on the not-too-distant future gives us a
protagonist of extraordinary fortitude battling a chain of grisly
catastrophes..."
Read the
full review
by Sara Baume
|
|
|
|
home
about
find something to read:
reviews
interviews
categories
back
issues
short
review blog
competitions &
giveaways
links
| The Short Review shines the
spotlight on short story
collections, new and older, across all genres, styles, publishers and
countries. Each month we review 10 books and interview as many of their
authors as possible.... Read more>> |
Author Interviews
| "The Theft the Got Me Here was the first story I wrote for Things We Didn't See Coming. When
I wrote the last line of it, I realized that I was really just beginning with this narrator. So then I wrote
|
 |
Steven Amsterdam
Author of Things We Didnt See Coming
|
Best
Medicine, setting it when he's older and the world has changed again.
This is when I saw that I was writing about this one narrator at
different times in his life and across different speculative
landscapes. The first story was printed in the Sleepers Almanac while I
wrote the second. By the time the second story was printed, I had
written almost all of the nine stories/chapters..."
Read
the rest of the interview >>
|
| "Starting round April of last year, I wrote the first flash-fiction. It got
published pretty quickly. That prompted me to write the same
characters in another story, shortly after, and that was
|
 |
Susan Tepper
Author of
From The Umberplatzen
|
published
quickly too. So then I was hooked on these two characters and
began to write one flash a day. There are 48 in total. So
counting a little lag time with the first two stories being published,
it took me about 2 months to write this book."
Read
the rest of the interview >>
|
| "The
audience is an idealized reader—probably a smarter, less tolerant,
ruthless version of me. Someone who's tapping her toe and saying, "What
ever made you |
 |
Sara Levine
Author of Short Dark Oracles
|
think I would be interested?"
Read
the rest of the interview >>
|
| "Over
the years, I've learned that the interpretations people have regarding
my work are only a transference of their own thoughts projected upon
me. Sometimes they come |
 |
Christopher Klim
Author of True Surrealism
|
close
to my thinking while writing the story, but
most often they do not. It's only important that people first enjoy the
story and then they are moved in some way. It's what you do later with
the things you learn now that matters..."
Read
the rest of the interview >>
|
|